The Galleria Borghese which now occupies the above.

The Villa Borghese gardens, the gardens in which the above villa is sited

Any other villas held by the Borghese family

Villa Borghese (film) a 1953 Italian film directed by Vittorio de Sica.

 

The Galleria Borghese (English: Borghese Gallery) is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist attraction. The Galleria Borghese houses a substantial part of the Borghese collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese, the nephew of Pope Paul V (reign 1605–1621). The Villa was built by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a villa suburbana, a country villa at the edge of Rome.

 

Scipione Borghese was an early patron of Bernini and an avid collector of works by Caravaggio, who is well represented in the collection by his Boy with a Basket of Fruit, St Jerome Writing, Sick Bacchus and others. Other paintings of note include Titian's Sacred and Profane Love, Raphael's Entombment of Christ and works by Peter Paul Rubens and Federico Barocci.

 

The Casino Borghese was erected an area that in the seventeenth-century was outside of the walls of Rome, with the closest access being the Porta del Popolo. At the origins, the villa grounds covered an area with a circumference of nearly 3 miles. The main building was designed by the Flemish architect Giovanni Vasanzio. The portico had spolia derived from the Arch of Claudius, once on the Via Flaminia.

 

By 1644, John Evelyn described it as "an Elysium of delight" with "Fountains of sundry inventions, Groves and small Rivulets of Water". Evelyn also described the Vivarium that housed ostriches, peacocks, swans and cranes "and divers strange Beasts". Prince Marcantonio IV Borghese (1730-1800), who began the recasting of the park's formal garden architecture into an English landscape garden, also set out about 1775, under the guidance of the architect Antonio Asprucci, to replace the now-outdated tapestry and leather hangings and renovate the Casina, restaging the Borghese sculptures and antiquities in a thematic new ordering that celebrated the Borghese position in Rome. The rehabilitation of the much-visited villa as a genuinely public museum in the late eighteenth century was the subject of an exhibition at the Getty Research Institute, Los Angeles, in 2000, spurred by the Getty's acquisition of fifty-four drawings related to the project.

 

In 1808, Prince Camillo Borghese, Napoleon's brother-in-law, was forced to sell the Borghese Roman sculptures and antiquities to the Emperor. The result is that the Borghese Gladiator, renowned since the 1620s as the most admired single sculpture in Villa Borghese, must now be appreciated in the Musée du Louvre. The "Borghese Hermaphroditus" is also now in the Louvre.

 

The Borghese villa was modified and extended down the years, eventually being sold to the Italian government in 1902, along with the entire Borghese estate and surrounding gardens and parkland.

 

The Galleria Borghese includes twenty rooms across two floors.

 

The main floor is mostly devoted to classical antiquities of the 1st–3rd centuries AD (including a famous 320–30 AD mosaic of gladiators found on the Borghese estate at Torrenova, on the Via Casilina outside Rome, in 1834), and classical and neo-classical sculpture such as the Venus Victrix.

 

The main floor's main large room, called the Salone, has a large trompe l'oeil ceiling fresco in the first room by the Sicilian artist Mariano Rossi makes such good use of foreshortening that it appears almost three-dimensional. The fresco depicts Marcus Furius Camillus relieving the siege of the Capitoline Hill by the Gauls. The grotteschi decorations were painted by Pietro Rotari, and the animal decorations by Venceslaus Peter Boemo.

 

The first room off the Salone, is the Camera di Cerere, with marble vase depicting Oedipus and the Sphinx. The second room has a ceiling frescoed by Francesco Caccianiga with the Fall of Phaeton. The third room houses Bernini's Apollo and Daphne.

 

Gian Lorenzo Bernini at the Borghese

Many of the sculptures are displayed in the spaces for which they were intended, including many works by Gian Lorenzo Bernini, which comprise a significant percentage of his output of secular sculpture, starting with early works such as the Goat Amalthea with Infant Jupiter and Faun (1615) and Aeneas, Anchises & Ascanius (1618–19)  to his dynamic Rape of Proserpine (1621–22), Apollo and Daphne (1622–25)  and David (1623)  which are considered seminal works of baroque sculpture. In addition, several portrait busts are included in the gallery, including one of Pope Paul V, and two portraits of one of his early patrons, Cardinal Scipione Borghese (1632). The second Scipione Borghese portrait was produced after a large crack was discovered in the marble of the first version during its creation.

 

Nearby museums

Also in Villa Borghese gardens or nearby are the Galleria Nazionale d'Arte Moderna, which specialises in 19th- and 20th-century Italian art, and Museo Nazionale Etrusco, a collection of pre-Roman objects, mostly Etruscan, excavated around Rome.

 

Villa Borghese is also a landscape garden in the naturalistic English manner in Rome, containing a number of buildings, museums (see Galleria Borghese) and attractions. It is the third largest public park in Rome (80 hectares or 197.7 acres) after the ones of the Villa Doria Pamphili and Villa Ada. The gardens were developed for the Villa Borghese Pinciana ("Borghese villa on the Pincian Hill"), built by the architect Flaminio Ponzio, developing sketches by Scipione Borghese, who used it as a villa suburbana, a party villa, at the edge of Rome, and to house his art collection. The gardens as they are now were remade in the early nineteenth century.

 

In 1605, Cardinal Scipione Borghese, nephew of Pope Paul V and patron of Bernini, began turning this former vineyard into the most extensive gardens built in Rome since Antiquity. The vineyard's site is identified with the gardens of Lucullus, the most famous in the late Roman republic. In the 19th century much of the garden's former formality was remade as a landscape garden in the English taste (illustration, right). The Villa Borghese gardens were long informally open, but were bought by the commune of Rome and given to the public in 1903. The large landscape park in the English taste contains several villas. The Spanish Steps lead up to this park, and there is another entrance at the Porte del Popolo by Piazza del Popolo. The Pincio (the Pincian Hill of ancient Rome), in the south part of the park, offers one of the greatest views over Rome.

 

The Piazza di Siena, located in the villa, hosted the equestrian dressage, individual jumping, and the jumping part of the eventing competition for the 1960 Summer Olympics. A balustrade (dating from the early seventeenth century) from the gardens, was taken to England in the late 19th century, and installed in the grounds of Cliveden House, a mansion in Buckinghamshire, in 1896. In 2004, a species of Italian snail was discovered, still living on the balustrade after more than 100 years in England.

 

Today the Galleria Borghese is housed in the Villa Borghese itself. The garden Casino Borghese, built on a rise above the Villa by the architect Giovanni Vasanzio, was set up by Camillo Borghese to contain sculptures by Bernini from the Borghese collection, including his David and his Daphne, and paintings by Titian, Raphael and Caravaggio.

The Villa Giulia adjoining the Villa Borghese gardens was built in 1551 - 1555 as a summer residence for Pope Julius III; now it contains the Etruscan Museum (Museo Etrusco).

 

The Villa Medici houses the French Academy in Rome, and the Fortezzuola a Gothic garden structure that houses a collection memorializing the academic modern sculptor Pietro Canonica. In the 1650s, Diego Velázquez painted several depictions of this Villa's garden casino festively illuminated at night. Before electricity, such torchlit illuminations carried an excitement hard to conceive today.

Other villas scattered through the Villa Borghese gardens are remains of a world exposition in Rome in 1911.

The Galleria Nazionale d'Arte Moderna located in its grounds has a collection of 19th- and 20th-century paintings emphasizing Italian artists.

Architecturally the most notable of the 1911 exposition pavilions is the English pavilion designed by Sir Edwin Lutyens (who later designed New Delhi), now housing the British School at Rome.

 

The villa's gardens feature in one of Respighi's Pini di Roma.

The garden contains a replica of the Shakespeare's Globe Theatre built in 2003.

Beside the 1911 Exposition's villas, there is the Exposition's Zoo, recently redesigned, with minimal caging, as the Bioparco, and the Zoological Museum (Museo di Zoologia).

In 1873 a hydrochronometer on the 1867 design of Gian Battista Embriaco, O.P. inventor and professor of the Roman College of St. Thomas was built in the gardens in emulation of the one at the College of St. Thomas. Another version stands in the gardens of the Pincian Hill. Embriaco had presented two prototypes of his invention at the Paris Universal Exposition in 1867 where it won prizes and great acclaim.